DESCRIPTION OF THE HISTORICAL CHIN REST.

This chin rest came from the discovery of an antique chin rest given to me by a dealer.  It was so amazingly comfortable and was made, most likely, during the late 19th century. In using it on my violin I noticed the intent of the chin rest was different from the traditional chin rests we use. 

The discovered intent of this chin rest is that the chin and shoulder do not have to become engaged in the holding of the violin. During the down shift the violin is kept in place, without the need of the shoulder, by the gentle “hook” idea of this chin rest. 

Some historical players that neither a shoulder rest or chin rest have figured out a system, sometimes with the use of the thumb and placement of the chin, whereby their shoulders are not raised. 

However, most violinist are in need of a chin rest, especially in shifting to a lower position and feeling secure anywhere on the violin, with, or without, a shoulder rest. Often the head and chin pressure becomes involved and, if not checked carefully, discomforts can arise. 

Many of the finest performers of our time have found this chin rest to be a great aide in the discovery of a greater ease in playing, especially under pressure.